The Hubert Bals Fund has taken “a long-lasting interest in Brazilian cinema … from the success of ‘I’m Still Here’ to the outstanding path currently trailed by ‘The Secret Agent’.” By Georg Szalai ...

The screenwriters and authors behind Paul Thomas Anderson‘s One Battle After Another and Netflix’s limited series Death By Lightning were named winners Saturday night at the 38th USC Libraries ...

In just two years, Jave Q transitioned from working behind the scenes as a free resource for artists to securing his first public relations internship with Cleopatra Records. From there, his ...

Anderson referred to writers as "magpies" while collecting the prize for best screenplay at Sunday's ceremony. By Ryan Gajewski Senior Entertainment Reporter Anderson, who directed the movie from the ...

As the transformation of the auto industry comes into sharper focus, CES in Las Vegas has quietly evolved from a technology showcase into a bellwether for the global car business. In recent years, CES ...

In this video, we explore the challenges of transitioning from TikTok to YouTube, specifically focusing on the pitfalls encountered in rap battles. We delve into the reasons behind these struggles, ...

Apple and Google remain fierce rivals. However, compared to one decade ago, the battle between the two is no longer limited to just mobile screens. Both companies are now trying to conquer more fronts ...

21 Savage said he believed Drake came through his feud with Kendrick Lamar relatively unscathed, but still revealed he told the Toronto rapper not to throw himself into the infamous rap battle. Near ...

“We’re not killing anybody,” Benicio del Toro told Paul Thomas Anderson in their early conversations about “One Battle After Another. Those creative discussions eventually led to Anderson changing the ...

This image released by 20th Century Studios shows Emma Mackey in a scene from "Ella McCay." (20th Century Studios via AP) “I can’t trust my brain right now,” says our hero, Ella, deep into James L.

“I can’t trust my brain right now,” says our hero, Ella, deep into James L. Brooks’ bafflingly disjointed, uneven, unfunny and illogical “Ella McCay.” And finally, nearly two hours into a perplexing ...